Fri 21 Apr 2006
ETWEEN 1997 and 2001, at the height of the dot-com bubble, the Sci-Fi channel decided to invest some money into producing a number of original audio stories under the banner of Seeing Ear Theatre, essentially a “next generation” of radio plays for a modern audience. A talented team of script-writers, actors and sound effects people crafted a series of remarkable episodes, breathing life into the stories of both classic writers, like Harlan Ellison and Frederic Brown, and modern writers, like Neil Gaiman and J. Michael Straczynski. Readers of this site may find particular interest in an adaption of Poul Anderson’s classic science fiction Sherlockian pastiche called The Martian Crown Jewels.
The Martian Crown Jewels have been stolen! The theft threatens to destroy diplomatic relations between Mars and Earth. Inspector Gregg, of the Earth police force stationed on Mars is stumped! Who can solve the baffling mystery and avert a galactic catastrophe of cataclysmic proportions? None other than Mars’ greatest private investigator, Syaloch, a seven-foot stork who lives in the “Street of Those who Prepare Nourishment in Ovens.” He is a brilliant thinker who (despite being a 7 foot tall bird) is the very image of another “great detective” from Earth’s past. Can Syaloch, after all his reading of Earth’s Sherlock Holmes, crack the case in this delightful playfair mystery? Elementary!
Unfortunately, the Seeing Ear Theatre project is no more, but you can still listen to the delightful The Martian Crown Jewels in its archives, at least for now. (Note: RealPlayer is needed, which is a free download for the basic version.)

UCH of what the general public regards as the archetypal image of Sherlock Holmes is due to 
OT content to let the adventures of Sherlock Holmes rest at a mere sixty stories, thousands of authors have determined to place the Great Detective in every country of the world, meeting every possible person who’s lived from 1860 to 2300, and seeking mystery of every possible concoction, from plausable to positively ridiculous. It seems like an impossible task to keep track of them all.
ESTERDAY, I
HEN I hear tales of entire houses or condominiums chock-a-brick full with Sherlockian tomes, I feel positively ashamed by the meagre offerings afforded by my few hundred books. A glance at the
can’t believe I almost missed this: the
ART of the fun of being an educator is exploring new ways of approaching a subject. While teaching English as a Second Language (ESL) to pupils in France, I was personally known to leap atop desks to recite Shakespeare, conduct a square dance, and lead a sing-song taken from the score to Camelot. (All of which is somewhat ironic, given that I’m tone-deaf and look rather odd in tights.) However, if I taught elementary school math, I now know one tack I’d certainly take….


ERE there be monsters. Or was that dragons? Hmmm. It could have been turkeys, I guess. Actually, it doesn’t matter very much, because a quick trip to your local video store will bring you all three, in the form of the latest DVD “based upon the masterpiece of Sir Arthur Conan Doyle, The Lost World.” A friend of mine recommended this. I had no idea he hated me so much.
NE has to feel a healthy respect for writers of the Sherlock Holmes radio plays. On one hand, if you adapt a story from the Canon, you have plenty of Holmes fans who not only know the story, but have certain expectations of plot, charactisation, and so forth. With a mere twenty-odd minutes, this can be difficult enough. On the other hand, if you choose to create your own plot from scratch, the pressure is on to create a story that’s comparable to those of the Canon (which, granted, is not so great if one chooses The Mazarin Stone as a reference).
